Even with a large sample that can be moved around, it's hard to get an idea of how the paint will appear over a large area. I am a big fan of Samplize color samples (have also used quarts and white board method). As for knowing LRV, I'm not a design expert by any stretch, but have found it to be really useful. The BM Classic Gray in my home is actually darkened by 25% and looks beautiful (though still too light for my foyer), but I know darkening/lightening does not work with all colors, and it would seem Agreeable Gray is one of them, as tested by others. about it?Ģ) First Star looks interesting, but on a color strip, appears even cooler than SW Crushed Ice.ģ) Patricia, I've read about/viewed Lori's Land of Color video and saw what happens when Agreeable Gray is cut 50% (totally different color), so I really didn't want to experiment with cutting it 25%. Is that an HGTV branded paint? I can't find any info.
Some follow-up comments:ġ) cawaps - Dot to Dot looks interesting. Thank you for the responses and suggestions! I will review some of these colors, though already know a few of them will not work. I didn't even realize my question posted, because when I attempted to do so, I received a screen error from Houzz and it didn't appear on the discussion screen. Hello everyone! Sorry I'm late in responding. I will NOT suggest cutting Agreeable Gray by 25%, though that hypothetical color is what I am looking for! Thanks in advance.
HGTV DOT BY DOT PAINT COLOR UPDATE
So, does anyone have an update for me? Lol. It has an LRV of 62, but can look slightly more purple than Agreeable Gray, which I don't want due to other color considerations in my home.
Same goes for BM Balboa Mist, which definitely can look a pinkish-purple in some lighting. Why? It can look pink, purple and yellow in certain lighting. It's lovely and perfect in her room, but not for my foyer.
For example, I have BM Pale Oak in my daughter's bedroom. I love it for its similar flexible gray/beige qualities, but it too, is too light for what I want in the foyer.Īlso important are the undertones (some will state that undertones don't exist, please humor my amateur description of the colors that "appear" in certain lighting). It should also be mentioned that I am using BM Classic Gray in my kitchen. With an LRV of 88, it's wayyyy too light for my needs. Yes, I'm aware that SW White Heron is equal to 50% lighter AG. Others have asked this question, seemingly without good answers. Agreeable Gray is really close, but I would love for the LRV to be a touch higher - more like in the range of 62-66 instead of the 60 it sits at. I think the Crushed Ice is just a touch too cold/gray for what I want, even with the south-facing light. I've been staring at SW Agreeable Gray and Crushed Ice for a few days now. It's getting close and I've narrowed it down. When I say "perfect" I mean a color that works well with the palette I want and our home's particular needs. I have been searching for the perfect neutral color for our south facing two-story foyer and adjacent, typical dark hallway (that gets some eastern light).
the white arrow allows us to manipulate the shape as a whole by repositioning it on the stage or fluidly transforming its shape by selecting the curves that define it and repositioning those.Has anyone found a suitable alternative to Agreeable Gray that holds the same balance of color qualities but is only slightly lighter? The black arrow allows us to have more precise control of the D. the white arrow allows us to manipulate the shape as a whole by repositioning it on the stage or fluidly transforming its shape by selecting the curves that define it and repositioning those. The white arrow allows us to transform the shape by scaling, r C. the black arrow allows us to manipulate the shape as a whole by repositioning it on the stage or fluidly transforming its shape by selecting the curves that define it and repositioning those. The white arrow allows us to have more precise control of the B. The difference between the black arrow and the white arrow in the tool box is.
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